Trying to find math inside everything else

Part 3 of my Disney Analysis.
 

Despite my love for Disney films, I acknowledge that not all of them are, well, good. But after working on the last two posts, I wondered what effect those characteristics have on how well a movie is rated. Do critics share Disney’s sense of justice and just want to see those villains die? Do audiences actually prefer movies with male protagonists, as much of Hollywood seems to believe? To find out, I collected the tomatometer scores of all of the movies from my list on RottenTomatoes.com – both the critic score and the audience score as, though there is a correlation between the two, it’s a moderately weak one.

rottentomatoes_audience_vs_critic_scores

I mostly included this because I wanted a graph that wasn’t a box plot.

 

So first, let’s look at the fates of the villains vs how they scored. I create two plots: one for the critical scores and one for the audience scores.

audience_vs_fate critics_vs_fateFrom these I can conclude…that there’s not much connection between the fate of the villain and how audiences react. We can say that there is a slight audience preference for movies that actually have a concrete antagonist, and we may also be able to say that critics and villains have a slight preference for movies where the antagonist is merely thwarted, but it’s not a strong connection.

What about gender, though? How much does that have an effect? Let’s look at villain gender first.

critics_vs_villain_gender audience_vs_villain_genderThe conclusions I can make? People love those lady villains! Despite the fact that 70% of villains are male (or maybe because of that fact), audiences and critics agree that the movies with female villains are better movies across the board. (The audience preference for female villains is not as strong as the critical one, but it’s still there.)

And as for the protagonists?

audience_vs_protagonist_gender critics_vs_protagonist_genderConclusions: There’s a clear critical preference for movies that have male AND female protagonists, to give access points to all viewers, whereas audience members merely as less likely to think badly of those. There’s a slight preference for female protagonists among both audience members and critics as well, though it’s very slight.

So what could Disney learn from all this? Well, that clearly we want to see a movie with a pair of heroes, male & female, that face off against a female villain and defeat her without killing her. So make that happen, Disney.

(Oh, what? The next movie has a male protagonist and a male villain? Go figure.)

The Data Set

Disney Data

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