Shear Madness

I just got out from seeing Shear Madness, the interactive whodunnit play. (Sorta spoilers, I guess?) In the beginning it seems like a normal sort of play, setting up the characters, revealing the crime, having the detective question the suspects. But then it stops and brings the audience in. The characters do a run through of an earlier scene, but with errors (or lies), and the audience needs to interject when they notice something amiss. During the intermission, they can talk to the detective and suspects for further info, and in Act II can question the suspects directly. The actors, then, have to be very prepared, but also quick on their feet for the unexpected. (They clearly expect some things, as theyhave props   prepared, whereas I expect others are move improvisational.) Then they ask the audience where they think the investigation should go, and take it back over for the finally.
As I looked at my fellow audience members, when the house lights first came on, they were taken  aback  by being asked to participate in this way. But then they (we) got really into it. (I had noticed, for example, that during the original scene one of the actors re-entered by a different door than they exited, and was just waiting to point it out.) And the audience didn’t feel like it was fake engagement, with a pre-determined result; they really felt like they had input. As a teacher, seeing that sort of engagement really brought joy to my heart. 

What does that mean for us teachers? We always have scripts, internal ones if not written ones, but if we invite our students in, really invite them-  not just open middles, but open ends – some magic stuff might happen. But it’s hard! You have to be so prepared for so many possibilities, and so quick on your think, and that’s a lot to ask, so many times a week.  But maybe try it once. What’s the worst that can happen? Sheer madness?